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After Sara breaks off the relationship and Chenille confesses their conversation to Derek, she apologizes for inserting herself saying, "You can't help who you love," and contrasts the difficulties of her teen motherhood with the implied bliss of his relationship with Sara.
By connecting the two sentiments, the movie inadvertently reveals that it is punishing Chenille for her views by preventing her from having a loving relationship.
As writer Dee Lockett notes in an examination of Beyonce's : "[Black] love is always political, it has no choice.
When it fails, it's a failure for all black lovers." But the media often flattens this nuance, choosing instead to willfully portray Black women's sensitivity to the issue as "reverse racism." It's why 's Season 3 episode "No Ifs, Ands or Butts." In one of the show's only episodes to feature Black characters, the girls are introduced to one of Carrie's (Sarah Jessica Parker) former colleagues, food critic-turned-chef Adeena Willams (Sundra Oakley) at the opening of her new soul food restaurant.
Chenille is not allowed to simply bristle at their relationship, she must instead be a single teen mom who is humbled because she can't get the father of her child to cooperate, leaving her jealous and bitter that a white woman can find happiness in an environment that has brought her pain.It’s an incredible and inspiring story that you won’t want to miss! Anthony worked for many reforms, including suffrage, temperance, and abolition.Gain insight into this revolutionary and visionary woman by diving into one of her causes: Abolition • Suffrage • Education Reform • Labor Reform • Temperance The National Susan B.Sara replies that she doesn't understand the animosity because their relationship is between the two of them, and that it shouldn't matter what other people think.Chenille angrily asserts that it matters to Black women because Derek is one of the few single Black men left after "jail, drugs, and drive-by." Inelegantly expressed, Chenille tries to explain why Derek's ex-girlfriend Nikki (Bianca Lawson) is so opposed to their union that she would pick a physical fight; choosing Sara, one of the few white students in the predominantly Black Chicago school, is perceived as Derek's rejection of the Black women who had always been there.